#to be clear. i dont know if thats clear but mental age is bullshit but it IS a concept thats reguarly used to infatilize disabled people | Explore Tumblr posts and blogs

theunconcernedembalmer · 4 years ago

Note

what’s the issue with elisop? is it just bc you hc aesop as ace? im so concerned by seeing ppl adamantly opposed to mlm/wlw ships but im also genuinely curious about why you dislike it and other lgbt ships so much lol

hmm. that is a strong accusation, n i find it just a bit odd. are you new here? or perhaps you are taking personal offense at my dislike towards a favourite ship of yours and using the lgbt argument as moral high ground?

whatever the case may be, i thank you for asking. if u r truly looking for an answer, its below the cut n it is very very long. mind u these are all my personal opinions n i am in no way policing how others enjoy ships. just in case this wasnt clear; i dont wish to start discourse on this blog, especially since my takes are probably... unpopular.

firstly i would like to address the “disliking lgbt ships” bit, because this has very strong implications in itself. i have nothing against lgbt ships. i enjoy them, even. if the two characters have chemistry between each other, i ship it. however, the moment characterization is broken for the sake of romance, i lose interest. this is generally my stance on ships in general, n this applies for both straight n lgbt ships.

the ships themselves are fine. however, i do have issues with the ship dynamics, so ill let u in on that.

i want to touch on mlm ships in particular; i believe u are familiar with the top/bottom dynamic that is rampant in these kinds of ships? (i wont deny that this dynamic can be found in other types of ships, but for arguments sake i will be focusing on gay ships because i feel that this occurs more commonly here) its such a popular dynamic that is prone to stripping the personality from one if not both characters, only for them to be reduced to being dominant/submissive. for a character to be pigeonholed into a stereotypical category based on... preferred sexual positions? its just downright insulting, never mind the larger more problematic implications of it. top/bottom is not indicative of someones personality, by the way. flattening multi dimensional characters into these stereotypes is so so so insulting.

unfortunately this is The Most Popular portrayal of just about any gay ship around. ive seen it being used everywhere in so many fandoms n it just about becomes apparent to me that ppl come to stories looking for a Ship. not the stories, nor the characters, just a ship. while id like to say theres nothing wrong with that, keep in mind not everyone is just looking for 2 characters that look pretty next to each other. if i ship something, i see interesting n meaningful interactions between 2 characters, which is so often not the case once u bring in the top/bottom dynamic. why is it so popular? because somehow this is what ppl like from a gay ship n hence it sells. ppl want the drama, characterizations be damned. ppl want to see the big kiss that happens in the end, n maybe the sexy parts that come after. characterizations be damned.

so u can say im a little wary of gay ships when they cross my feed. hell, as a joseph aesop shipper i see this trope everywhere n im pretty disappointed as well. small tangent but i feel like this is the reason why zh0ngli n ch1lde is so popular in g3nshin. i try to see the appeal, i really do, but after a long while of analyzing their respective characters i dont think they have as much chemistry as ppl think they do. dont even get me started on how incredibly ooc they make either of these very interesting n unique characters in ship portrayals. all because of the top/bottom dynamic that ppl want to see. i say this for that particular ship, but this is pretty much the case for a lot of ships out there, n the latter part is painfully true even when the 2 characters do have potential between each other. ill say it again im disgusted by the blatant disrespect to the characterizations if all ppl ever want is 2 pretty puppets to mush lips together. cos thats what theyre essentially reduced to this way.

n its so obvious to see when an artist subscribes to this rhetoric, because u can so clearly see it in the way they draw their characters. the “top” generally has sharper features to go with their “dominating personality”, while the “bottom” has disturbingly softer, feminine, dare i say sometimes child like features “to submit”. n thats where the uwu soft gay trope comes from, i believe. which, in case u still dont know, i hate with a burning passion.

so again for ppl with impaired reading comprehension, im fine with ships, including lgbt ones, but the moment u break characterization for the sake of the ship, im not that okay with it. u want to do it for a short crack comic? fine. but if thats the only way ur portraying the 2 characters then im immediately wary of ur content. ill still look at it cos usually the art is really good, but im very very wary. so im not “adamantly opposed”, just very critical of how the ships are being portrayed. if other ppl want to enjoy their ships like that, sure. just dont expect me to join in on something i dont agree on.

now id like to address not shipping “because i hc aesop as ace”. for ppl who are new to the blog (hello there), im an ace in a romantic relationship, so thats definitely not the reason i dont ship elisop. its more of being in a relationship has largely shaped my views towards romance as a whole. even before i met my boyfriend, i hated the romance genre in stories n media. most of it comes off as incredibly forced, especially those love triangles they seem to love putting into teen novels. thats one reason why i stopped reading when i was younger, but i digress.

did i partake in shipping when i was younger? i did. for a gay ship too (if anyone really wants to know, its kurotsukki from haikyuu. at least this was one that i can remember, i was mostly working on my 20 odd ocs for the longest time). i also used to write little short romance ficlets that i never posted anywhere cos i hated (n still do hate) my writing. but writing romance when u dont have experience was really just a way of projecting n probably a way of coping for myself, not that i knew at that time. but after i actually started a relationship with my boyfriend (whom i love n cherish a lot thank u very much), i began to see how much all these have skewed my views towards romance n have actually done some harm to our relationship. the bullshit that the general media feeds u constantly doesnt help in the slightest either.

quick topic shift to elisop in particular (about time, right?). i already stated that i only ship characters if i sense chemistry between the two personalities, n if u have seen the part where i dont ship elisop then u must have seen how agonized i am over not being able to have a concrete personality for eli. that is the main problem i have with elisop: eli does not feel like a solid character to me. n that is a huge problem, because if he doesnt have any defining characteristics besides being mild n nice, then he can be whoever i want him to be. (i have done this in my exorcist comics, i will admit this. n the fact that i can just do that... it really does not sit well with me personally.)

n that is dangerous.

back to young me doing lil ship things. i think its also pretty safe to say when u really do ship 2 characters, chances are u kinda really relate very very hard to at least one of them. that very quickly can turn into projecting, n shipping therefore is not “exploring the relationship between 2 characters” n it becomes “my preferred dating simulator 101″. of course this isnt always the case, but at least it was for me, n subconsciously it might be for lots of ppl too. n since this is ur mental playground, u call the shots, n there is no consequences if u slightly (or even entirely) alter one or both personalities to fit ur desired narrative. n u wouldnt even notice or know, cos ur blind to ur own biasness.

we bring our perceived notions into real life, im sure u know that. so when ur partner does not become that perfect knight in shining armour, or when they get upset at things that u do (which is a very normal thing by the way), n u think (very subconsciously), That isnt what my otp would do, something is wrong here (nothing is wrong, actually its just ur skewed perception of a stable romantic relationship). why wouldnt ur otp do this? because u are both halves of ur otps, there is no hidden secrets between them (apart from the pining part but thats irrelevant), n again they have been altered to fit ur preferred narrative.

a real relationship requires a lot of communication between parties, because newsflash, liking someone doesnt mean that u have to like every single thing they do, they will make mistakes n it will hurt u, n guess what, the reverse is also true. if u do go with absoutely anything that they would do with 0 objections whatsoever, ur not crushing on someone, ur idolizing them, n that power imbalance is detrimental to a relationship. these things are not obvious to ppl, especially when the whole climate is hell bent on getting into romantic relationships by a certain age or some bullshit. communication is key n is pretty much the only way to solve relationship issues, because the other person has a lot that u r not seeing n vice versa. as similar as 2 ppl can be, i doubt u can have 100% the same thoughts on all things. i dont make the rules.

so in ur mental playground u focus on the fluffy parts, maybe there is communication, but rarely is there any meaningful conflict. thats unrealistic, n if u bring that mindset to an actual relationship, thats not going to end well. i say meaningful conflict, because yes, generally u shouldnt have conflicts with ur significant other. but inevitably when ur with each other for long enough, u will realize that there are habits that u must change in order to be with the other person. habits that are harmful to the other person directly, or harmful habits towards yourself that indirectly harm the other person. these are meaningful in a sense that if left alone, it will manifest into larger problems that will harm u, the other person n the relationship as a whole. its meaningful to the relationship.

all these is made even worse if ur neurodivergent. maladaptive coping practices, self sabotaging behaviours, inherent disabilities. all these must be adjusted n addressed. im so incredibly thankful for my boyfriend for being incredibly patient with me when working all these out, n it has not been easy for me to work on myself n all my problems, n im still not done working on them. this aspect is often not explored in romance in general (or properly), n there is a very good chance i would have still been stuck in the unhealthy mindset of “this isnt like my otp, maybe we’re not meant to be”. because loving someone is a choice. no one is made for each other, it is a conscious choice made between 2 ppl to make things work. this is how arranged marriages work, i am told, n i do see the appeal, not that it actually does appeal to me culturally.

special mention to the kurotsukki ship, cos from there i found a very, very good fic that explored their relationship before n after getting together, n it actually showed aspects of this problem in the incredibly slow burn of (at that time) 20+ chapters. it was just one fic (n a very good one at that, i believe it was called Leviticus), but it had a lesson i never thought i needed to learn, n learn it i did, with a lot of help from my dear.

this is also probably the reason why i dont really want to delve too much into romance now. i know its a lot of work, n everything (mostly) that the media feeds u is really false advertising, but ppl eat that shit up n so it remains one of the most popular genres to date. im just very wary that if i do start on a romantic story, i want to be able to show it in a way like that fic did, the truths of relationships, because i dont want to make something that sells, i want to make something that meaningful to me, if a little indulgent. n that also includes being very careful in how the respective characterizations will change in a relationship. almost too careful now that i think about it, but its not something that i mind. i was never one for romance from the start, n now im very careful about shipping because of what happened to me persoanlly.

okay enough about me, lets talk about aesop. in any au u put the character in, the essence of the character must remain despite the change in environment. so lets say we have ur typical modern au. dead mom, check. shitty mentor doing illegal stuff? also check. autistic boy with social anxiety? we’re good to go. all these have implications on aesop as a character, n while ppl are aware of this, again the way they go about portraying it can go, in my personal opinion, very wrong. ppl who immediately woobify aesop completely because he has autism annoy me. ppl who reduce him to uwu soft boi cos he has social anxiety do not know how the disorder really works n as someone who has that i hate it to the core. ppl who do all these for the sake of ship have lost my respect. its insulting.

remember the top/bottom dynamic? not that elisop is completely free from that (even if i dont know much about eli, to put him in either one of those stereotypes feels very insulting to his character. i wont even say anything about doing it to aesop its so upsetting), but its not entirely made up of either. but now i want to introduce another trope i am very wary of, which is “i can fix him”. im sure u guys have seen the meme going around poking fun at this trope (for those who havent, its along the lines of “u can fix him? well i can be his worst nightmare”) n no doubt yall would have seen it n gotten sick of it in some forced hetero romantic bullshit. we have one damsel in distress with a saviour that solves all their problems just by existing n being romo with each other.

remember “my preferred dating simulator 101″? this is not mutually exclusive n from my point of view this is dangerously close to this trope. lets be real, if it was actually a thing that all ur deep rooted trauma magically disappears if someone were to waltz into ur life, we would want it. definitely. no painfully dissecting ur own problems n constantly facing them head on. real life states that this is not the case, but it will not stop us from dreaming. n so this trope is born n lives n will go on.

(finally) pulling aesop n eli into this, at least in my mind, u have one severely traumatized boy with lots of issues n u have this. nice mild guy who can be anything u want him to be. i hope u can see where im going with this, n thats the direction i see some elisop heading towards (i dont read a lot of elisop to be fair). if u came from my eli character talk, i mentioned that it is incredibly one sided. this is exactly what im talking about.

putting it all together in case u havent already, aesop is the damsel in distress, whose problems magically disappear because of elis godly kindness n little to no work on improving himself, n they lived happily n gayly ever after.

can u tell how much that does not appeal to me.

never mind the butchering of character that inevitably happens somewhere somehow, the unrealistically perfect themes n implications of this trope makes me so viscerally uncomfortable. this is, of course, due to personal reasons, n i definitely see the appeal of this dynamic because i would probably have been interested in this once upon a time as well. but as i am now, with everything i have explained up there n everything i have been through, i would politely rather not.

n its difficult to think of another dynamic, because of how little i know about eli apart from him being this saint, which easily makes him a candidate for being aesops trauma panacea. never mind aesop rarely, if ever, does anything for eli as a character in return, n its so damaging to buy into this rhetoric, where a person like this who would solve all ur issues no strings attached exists somewhere in the world. they really dont. a relationship has to be mutually benefitting, or it will be draining n disastrous. maybe u say, Oh its nice to imagine it once in a while. n yeah, i agree, except once in a while is a little difficult to keep track of n that is sort of what happened to me. id rather stay as far away as possible from this kind of unrealistic fantasy, i just got this shit sorted out with myself n my boyfriend.

i have some other reasons, but theyre more personally problematic, so i wont go into them here. but this is mostly n generally why i do not ship elisop romantically. if u do, u do u, and have fun, but again dont expect me to join u. thank u for coming to my ted talk, this took a lot longer than expected.

#mun rambles #its me the mun #unconcerned ramblings #posting this now cos this is a question ive been getting #although this has been worded in the most unnecessarily passive aggressive way possible that i do not appreciate #im wary about all u so called social justice warriors championing this n that liberal idea when all u want to do is stir shit #thankfully i dont have much experience with this but just passively seeing all these ppl run their mouths is getting very annoying #but just know that i will not tolerate any of that bullshit here. because if u really do care about ppl as much as u say u do #then why r u attacking ppl period #ur really just hiding behind a righteous excuse to harm people. thats disgusting. i dont want u here

19 notes · View notes

herrashmoo · 4 years ago

Note

secondly, im not a tumblr teen. ive been on this website for god knows how long and ive been well versed in queer history. me calling them a pedophile, after a conversation with them resulted in them refusing to admit sexual imagery is not for children, them calling me a bootlicker and several other names, before getting wildly upset and blocking me, had nothing to do with their sexuality and everything to do with the fact that they couldnt tell me sexual imagery is not a thing for minors to consume period end of story. this is AFTER the fact i had been a bit more educated about pride and had ALREADY agreed where i went wrong. now about the sanitization of pride- thats wrong as well. dont get me wrong. but you cant seriously look me in the face and tell me that sexual imagery is not for minors. like- just that statement alone, right? so how is this such a controversy?

ugh okay I guess I’m gonna write A Thing. I’ll get into a proper response to your final questions but first, let’s do some context work.

first thing to make clear is that I know Jux irl, and I also want to make it pretty clear that they and I have pretty similar opinions here, I’m just slightly more likely to put my anger aside to reply to stuff. Do not get it twisted, rhetoric like the kind you were/are using is like, a big red flag for me, it’s the kind of shit reactionaries have been using for eons and like, were I in a less chill mood, I would’ve also likely written you off as a bootlicker troll. Their response was pretty aggressive but not completely misplaced, so I just want to make it clear that like, as another queer dude who is tired of seeing this shit every fucking May for the better part of a decade, I’m also exhausted and pissed off.

As for my claim of teenagerdom, I apologize if that offended, but you have to understand that, generally speaking, the loudest groups having this conversation on the regular are (1) right-wing reactionaries, TERFs, and their ilk trying to stir shit up (see: Operation Pridefall) and (2) young people who don’t have any context for Pride, often haven’t been, and only really have queer politic and history from tumblr and twitter threads featuring reactionary revisionism from the first group. When I see people engage in this conversation, I generally assume they’re in the latter group, as it helps me try to frame my responses in the best faith I can given how tired I am of this shit.

But that aside, sure. Kink isn’t for children. But provided there’s a parent accompanying this hypothetical child at Pride, their job is to explain and provide context for the things they can, and give a solid “you’ll learn more when you’re older” for the things they can’t. The Village People are all each in different kink gear, and as a kid I was told “they like to dress up, and there’s some costumes specifically for adults,” and I was good. I saw bare titties at festivals, smelled weed at concerts, saw bulge at the beach — these are normal human things that happen in the world, and having a responsible adult nearby to explain or provide context for them made them non-issues for me. I don’t think a kid seeing a pup hood is thinking anything more than “oh cool, that dude is dressed up as a dog.” Kids understand fantasy and make-believe. And especially as they age into their teenage years, withholding or sheltering them from knowledge about sex and sexuality can do real damage — hell, we’ve been having that conversation for over a century at least.

(Spring’s Awakening was first published in 1891 and was deeply censored in productions for the better part of a century, due to the content of the work, which is about how sheltering young teens (both straight and queer) from sexual content (and also mental health resources) leads them to try to figure shit out on their own and make catastrophic decisions that they don’t understand the consequences of until it’s too late. Great play, pretty great musical adaptation, wild that we keep rehashing its points like clockwork over a century after publication.)

But I am also of the opinion that Pride isn’t for children, as, while two decades of assimilationist politic would desperately try to argue otherwise, I am queer because I am sexually attracted to, and have sex with, other men. Pride is a response to the criminalization of queer sex acts, and so it is, in turn, a celebration of queer sex acts. So if someone wants to walk around in chaps and a jock, great! If someone wants to wear their pup gear or a harness or a rope tie or a vest, fuck yeah! It’s a space specially carved out for celebrating the queer experience — the original Pride flag (before it was simplified to make it easier to mass produce for profit, which, again, love seeing our culture made into product) had a pink stripe at the very top, specifically representing sexuality. It is, ostensibly, the thing that defines our community (at least the L G and B parts of it) as an outgroup against the mainstream society.

I think that, if you are uncomfortable with kink displays, or you’re uncomfortable with children seeing kink displays, then Pride is not for you or your children! Don’t go! There’s kid-friendly and sanitized versions of Pride in most major cities, do some research into your local/state Stonewall organizations and you can find more about them. But I’m already sick of having actual cops at Pride, I don’t need people who are uncomfortable with displays of sexuality also policing myself or any other queer person in a space they have spent decades carving out for themselves.

A final note — if you don’t understand why a queer person would blow up and completely write off your bullshit after calling them a pedophile, I urge you to do more reading, more listening. I know that in this brave new world of same-sex marriage equality and PrEP access that it’s hard to remember the collective trauma that the community has experienced, but this shit is inflammatory, you’re straight up spewing fightin’ words. The dude wearing a leather harness at Pride isn’t trying to corrupt any youth or fuck any kids, they’re just trying to live their shit, and I’m sorry that you and so many others have somehow decided that that’s an attack on a demographic of people who aren’t the audience for a celebration of sexuality. We’re not fucking pedophiles, and this “think about the kids” nonsense is some Reagan-era bullshit.

#the discourse

5 notes · View notes

swansstuff · 4 years ago

Text

So uh, I've been thinking about a hypothetical Trucy Wright: Act Attorney and here is the very poorly written outline for it because yeah. No spoilers except the Apollo Trucy thing. Tw death, murder, blood and grieving so yeah.

Trucy's first case is literally her first ever case. This is a flashback case. We follow her as she wakes up, slightly stressed about today, Phoenix gives her cereal and a pep talk and a cryptic message. Trucy asks where Papa is, it is Miles, they are married. Phoenix is cryptic about that too. He stays behind as he "has to buy groceries" so Trucy heads into the office. Apollo greets her, it's clear they know they're siblings, and he hands her a case. Miles is prosecuting. She is fucking terrified. She goes to the crime scene, Gumshoe is the detective and he's educating his teenage sons, constant confusion of who's who, because they are twins and they look very like Gumshoe, it'll be kinda funny. Its a simple investigation. During the investigation, the player can check Trucy's profile and the profile system shows character's middle names now. We get some gems such as Klavier Hyacintha Gavin later on, the reasoning behind this is coz Trucy is nosy. The important one here is Trucy Mia Wright. She says something about how she chose her own middle name when Phoenix adopted her and she chose Mia after learning about her. Yada yada. Trucy wins the case. Edgeworth is very proud, Phoenix is in the gallery and there's a flash of him crying proud tears, Apollo hugs her afterwards, Athena congrats her.

Next case, flash forward three years later, we do not see Phoenix and nobody really mentions him. Thats because he's fucking dead but we don't know that yet. This case is a Fey case, we meet Maya who is married to Franziska and they're technically on honeymoon in Kurain and Pearl becomes the Maya to Trucy's Phoenix. Its another fey murder case. There are a few mentions of Trucy's admiration of Mia, mainly just a mirror of a few lines she's said and a conversation where her and Maya talk about her, Trucy says she would have loved to meet her and Maya explains how her spirit has been dormant for ages now and how she assumes she's moved on.

"If you want I can try and channel-"

"No no no no NO. Its ok!"

This is our first hint that Phoenix is no longer with us, but we don't know until later thats what she means. Sebastian is the prosecutor, the player finds out that Miles is taking a break from prosecuting work, Trucy already knew of course, and Sebastian is dubbed Chief until he comes back, Fran says

"It would've been me were I not on my literal honeymoon right now." We are not told why yet, but it is because of Phoenix. Kay Faraday is the detective, somebody murders someone and frames Maya, no-one is shocked by this. We also get an update on Iris, she's thriving. She wins yada yada.

Next case, a couple of months later, Trucy gets a call from a friend that the player can't identify at first. Its Katrielle Layton. She needs Trucy's legal knowledge because someone is sueing her detective agency because have you seen how they practice. This, of course, turns to murder and we get another surprise when we meet the prosecutor. Who probably has a licence to practise law in England? Simon Blackquill, he is British ok. Yeah, Trucy wins with Kat's help, we meet Ernest and Sherl and Alfendi and Flora if we have time. I miss them. Trucy and Kat have a conversation that cryptically addresses their fathers and their "whereabouts" and living up to their legacy. We see Trucy cry, but only a similar flash to AJ:AA and we do not know why. Yet.

Next case, flashback case. Trucy is the assistant on this case but we still play as her, even in the court sections since Phoenix is prepping her for the bar and getting her to give him the answers. The bar exam is only in three days. Klavier is prosecuting. The case somehow relates to Kristoph and there's the whole mirror dynamic thing of when Phoenix lost his badge. Kristoph is dead by now, but the whole thing is there was a plot inside prison to make Phoenix pay for putting a bunch of them in, Kristoph was the assumed ring leader until he died and the cops now dont know who's running it. Somebody (Godot? That would hurt big time) was their inside man, sent to figure that out, so when whoever it was turned up dead, the whole thing got exposed. We get a bit of a Mia moment in the trial where Trucy tells Phoenix to flip over the receipt (thats evidence for some reason). Phoenix says "I feel like that shouldn't be the second time someone has said that to me". The killer is found, by Phoenix, and put into isolation, as have most of the other participants. We then see Trucy get her badge. They have a conversation and Trucy says Phoenix basically forgot about it for a couple of months. The case closes with a foreboding "and I forgot about it too, until..."

Next case. Phoenix is fucking murdered. Trucy gets a phone call late at night, she hears laboured breathing on the other end and a "don't forget I love you" from Phoenix. Trucy pulls a simba and goes "dad? Dad?!!" And the line goes dead. The player is presented with a choice of who to call. They have two phone calls. Who they choose first makes no difference, but the second time they are forced to choose Ema who will trace Phoenix's phone call. They could call Apollo and he would comfort her, Miles would panic, Maya would say he was just messing around, Athena would sense her distress and say she's coming over etc. You could attempt to call Phoenix back but he would not answer and you would be allowed to call someone else. Ema then traces the phone call and we follow Trucy to the crime scene. We get a truly haunting cutscene where everything kinda goes blurry except Phoenix's face and the blood. Trucy doesn't cry. She stands there in shock. The WAA is there in various states of shock and upset. Return of grieving Apollo I guess. Miles turns up and the look on his face is haunting. Trucy and him make eye contact and they share the thought of something has to be done. And then. "The bar association took me off the case and Papa too, they said we were too close to it. As a result, we never found out who did it... Until now." And we see a determined Trucy face. We jump forward to where we last saw Trucy, she and Pearl are coming back from England and its a bit more cheery. Trucy sends Pearl on a train back to Kurain and heads on home. She enters the house and we see Miles pouring over Phoenix's case. He jumps up and runs towards her.

"Trucy! I think I have a lead, I-"

"Papa, you're tired, go to bed." (Or better dialogue along those lines)

Its clear he's been doing this sort of thing a lot.

"But I do! At least...I think I do..."

He trails off and rests his head in his hands.

"Do I? Or am I just a mess?"

Trucy gives him a sad smile.

"C'mon let's go to bed."

Miles returns the sad smile and fades out like all ace attorney characters do. The player is given the option to look around. There's probably some emotional dialogue and bits that give clues to how she and Miles have been fairing the past 3 years. Answer is, not very well. Examine the pile of papers on the table. Trucy will take a look and then realise her papa may have actually been onto something. Its a diagram of which prisoners knew each other, with an arrow from each leading to a defense attorney we have never met. Trucy is confused, but she calls for Miles anyway. He comes back downstairs and Trucy asks him about this lead he found.

"Well I realised all those prisoners would know this defense attorney (insert name?)"

"Why? And why would they be suspicious?'

"They (pronouns?) Were always the defense attorney who would take on the cases of those Wright had already accused. They gained a reputation of being the doomed defense attorney."

"So... They knew all the prisoners in the plot and they had a grudge against daddy... Papa I think you're onto something!"

And the case continues, since we already know who's been accused, it plays out more like an investigations game, Trucy has to prove it, with Miles' help of course, literally every other character we know and love plays a part in making sure this guy gets a guilty verdict. There is still a courtroom bit and a moment when all is looking dark, Trucy literally has a full on breakdown as the Judge threatens to remove her from the case again. Miles is by her side, they're both technically prosecution here i guess. Miles, however, is too deep in his own mental breakdown to help. Everyone else is in the gallery besides Pearl. Pearl channels Phoenix as a last hope sort of thing. Phoenix comforts her and tells her to keep fighting, he touches her badge and probably says some sort of bullshit about it. The Judge is about to bang the gavel when Trucy and Phoenix object at the same time. Miles looks up and realises whats going on and he objects too, a little later. The battle goes on until it finishes and the other attorney has a breakdown that steals little bits from every other murderer Phoenix has put behind bars.This is the one time seeing the word guilty on your screen feels good. There's a whole heartwarming celebration at the end, Phoenix sticks around for a little bit and everyone gets a bit of closure. Its assumed he's gone since Pearl passes out and Trucy dips out for a sec. She's away from the festivities, staring at the badge in her hand and we see someone coming up behind her. Maya is channelling Phoenix now. He gives Trucy a hug and utters the words "the only time a lawyer can cry is when its all over and, Trucy darling, my light, its over." Echoing both Diego and Mia.

And the screen fades to black with a final hug between father and daughter.

#ace attorney #my writing #trucy wright #miles edgeworth #phoenix wright #maya fey #franziska von karma #pearl fey #professor layton sorta #etc i cba to tag everyone #tw death #tw grieving #tw blood #tw murder #:)#wrightworth #franmaya

70 notes · View notes

toxikbubblegum · 5 years ago

Text

May Reading Wrap Up

I'm actually really proud of myself. I finished 13 books last month. Spent a lot of extra time away from screens and focusing on my mental health so I burned through way more than I normally would. So anyways, here's my reviews. - Also please understand that these are just my opinions and if I shit on your favorite book I'm sorry that I didn't enjoy it as much as you. Also, also Im terrible with character names.

Daughter of Smoke and Bone by Laini Taylor ⭐⭐⭐

I actually started this book at the end of April but didn't finish it til May 1st so whatever, here it is. This books is a YA urban fantasy novel about a girl with a double life. She spends half her days studying art in Europe and the other half running errands for a tooth collecting wish monger. I don't want to say a whole lot more because I dont want to spoil anything important about the plot. So, I'll try to be vague. Let me start by saying this story is amazing. I loved the writing and the world. I rated it so low solely because I can't stand the two main characters and it really dragged down what would have otherwise been an amazing novel. So yeah, great book but its a preference thing. Also took points off for the insta-love but not really insta-love shit. Idk. I have a lot of mixed feelings about this read even a month later. Gonna read the second to see if maybe my hatred of the two mains was just a fluke.

3/5 Stars

Spellbound by Rachel Hawkins

⭐⭐⭐

This is the third book in the Hex Hall trilogy. Not much to say about it. It was a meh ending to an overall pretty good series. 3/5 stars. Moving on.

The Wicked Deep by Shea Ernshaw

⭐⭐⭐

Realizing now how many of my reads this month were pretty middle of the world. Hopefully next month will be filled with 4 and 5 stars. Anyways, this book was honestly a struggle for me to finish and Im not sure why. It's a YA mystery magical realism story about a tiny coastal town that is cursed by the spirits of 3 sisters who were suspected of witchcraft and drowned 2 centuries prior. Because of this, every year the sisters return from the sea to take the lives of teenage boys by luring them to the sea. We follow the life of kind of meh and standard YA girl #1. She meets a strange non tourist boy and hires him to work in the lighthouse her family owns. Her dad randomly disappeared years ago and her mom is a loon. So yeah... I dont know. I kind of felt like this story was hot garbage in places. I usually dont have any trouble with the suspense of disbelief in magical realism stories but this one just had too many plot holes. Like, I get morbid stuff becomes tourist attractions but why wouldn't someone have stepped in and evacuated the town if at least 3 teenage boys die there EVERY SINGLE YEAR without fail? I honestly feel like the FBI or some other government agency would have cleared the place out after the first 20 or so deaths. There was also the whole MC can see the ghosts of the girls possessing people but chooses not to tell anyone? Like, I get it. You dont want people to label you a freak or think you're crazy but come the fuck on. You live in a tourist trap where people flock to watch local teenage males wash up on shore and you really think the authorities arent going to take you up on the help? It wasn't an awful book by any means. It was well written and extremely descriptive. Just had major beef with some of the details. Anyways, I wont say much more so I don't spoil the whole book.

3/5 Stars

An Enchantment of Ravens by Maragret Rogerson

⭐⭐⭐⭐⭐

Finally, I get to talk about one of my favorite reads of the month. I love anything to do with the Fae in my YAfiction and this was literally everything I wanted in a Fae novel. It takes place in a town called Whimsy, a humanish town in the world of Faerie. The fae cannot do any Craft, or what we would consider craftsmanship. Art and humans who can do it well are very precious in this world because the Fae can't ever do it themselves. We follow the adventures of a girl who has been commisioned to paint the portrait of the Autumn King and the chaos that ensues. Let me just start by saying this is one of those insta-love situations where I feel like it's genuinely ok. I might be making excuses because I loved the title so much but whatever. It's explained and I accept it. Also, I realize that Gadfly had a lovely description but my brain willl not let me picture him as anything but Mr.Waternoose from Monsters Inc.

5/5 Stars

The Night Circus by Erin Morgenstern

⭐⭐⭐

This book started out so good and went downhill very quickly. It follows the story of these two magicians who were fated by their Master's to one day fight to the death. There were so many things I loved about this book only for the last 100 pages to just take a firey dump on my face. I loved the setting and the majority of the characters. The supporting characters were so deep and interesting that I almost cared more about them than I did Ceilia and Marko (Im proabably wrong and I dont feel like googling but I think that was his name) . I don't know. I don't want to complain about anymore meh books.

3/5 Stars

Matched by Allie Condie

⭐⭐⭐⭐

Went into this book expecting to hate it. I usually don't like contemporary love stories but this had major City of Ember meets The Giver vibes and it just appealed to that 14 year old girl in me again. That seems to happen with a lot of dystopian utopia stories. Anyways, story is about a girl who lives in this town where when you hit a certain age you are brought to a place and told who the government has chosen for you to marry. She is matched with her life long best friend and all is well. Except that her little Get To Know Your New Husband microship thing showed her two guys instead of just one. And lots of bullshit ensues. I honestly think I rated this so high because I enjoy the world and not so much whats actually happening to the kids. Like, I loved the idea that art is harmful so the government chose 100 acceptable pieces and thats all these people know. I loved the brutality of the government in general. I can't say much more without spoiling some of the twists but geez did it have me hooked. I'm going to be started the second one soonish, though my TBR for June has gotten intense so we will see.

4/5 stars

Six of Crows by Leigh Bardugo

⭐⭐⭐⭐⭐

I cannot say enough good things about this book. It is so fucking good! Not going to rant about it or anything because y'all just need to go read it immediately.

5/5 stars

Would give it every star in the sky if Im being completely honest.

Reign of the Fallen by Sarah Glenn Marsh

⭐⭐

Got sucked into this book by the cover and honestly that was the best part of this book. Its about this world where necromancy is pretty highly regarded and used to resurrect the royals after they die. The only downside is that if a living person ever lays eyes on the resurrected person's skin then they turn into these horrible monsters. Maybe it's just me but like that absolutely does not seem worth the risk. Plus, in order to bring the person back, these reapers have to go into the death world and bring the spirit back. And it's HELLA DANGEROUS. So like, WHY? Anyways, there is this stupid underlying love story that I absolutely wasn't invested in. This just all around was not a good book.

2/5 stars

Monster High by Lisi Harrison

⭐⭐

Little known fact~ I'm obsessed with Monster High and Ever After High. So yeah, I realize this wasn't targeted to me as an adult but even going into it with an open mind I was disappointed. Granted I didn't read the description of the book prior. I just saw this franchise I love and grabbed it. First, if you are a fan of the mini series and the movies do not read this. It doesnt follow the cinematic canon and I think that was my biggest problem with it. Frankie's character was all wrong and I hated the whole"Normy" cast. Was really excited for these but I definitely won't be continuing the series. I don't even want to torture myself with seeing how they manage to ruin my sweet baby Draculara.

2/5 stars

Unhinged by AG Howard

⭐⭐⭐⭐⭐

I can't say enough good things about this series. This is the second book in the trilogy and it was a fanatstic bridge book. It had me engrossed through the entire audiobook. Morpheus is still everything. If you loved Splintered I would highly reccomend continuing.

5/5 stars

Truthwitch

⭐⭐

Have had this on my TBR for a while because of how many Booktubers have hyped the series. Buy, was I disappointed. I was soooooooooo bored. Maybe it's because I don't really enjoy this type of fantasy or maybe it was just the slower paced story but I just slugged through this book. Both of the main female characters were bland to me and I didn't care about their friendship. The world was cool but not enough to keep me invested. Just wasn't my cup of tea.

2/5 stars

Paranormalcy by Kiersten White

⭐⭐⭐

Picked this up because of how much I loved The Dark Descent of Elizabeth Frankenstein and it didn't meet my expectations. It follows this girl who works for a paranormal gorvenment group. She has a special ability that makes her really useful to them so they are trying to groom her basically. They capture this changeling and she befriends him and there is an overarching plot that I just didn't get invested in. The friendship between the two main characters was pretty much the only thing that I enjoyed in this title. The mother figure was insufferable and I just didn't really understand the whole org that they worked for in general. Not an awful book but not fantastic.

Solid 3/5 stars.

The Siren by Kiera Cass

⭐⭐⭐⭐

Going to preface this by saying I might be biased. I love Kiera Cass and have enjoyed almost everything she has written. That said, this wasn't nearly as good as The Selection series but it was a pretty good stand alone novel. It about a girl who becomes a siren on her deathbed and spends the next 100 years serving the sea by luring people to their deaths. After doing this for 70 years, she falls in love and pretty much ruins everything. Loved the characters, especially the male lead. The insta love was a little pet peeve of mine but the love interest was so sweet and genuine that I was willing to overlook it. Pretty good read if you dig supernatural romance.

4/5 stars

June holds the Ghibli-a-thon but also lots of holidays for my family so we will see how much I actually get read. So far my tentative TBR is 5 books but we will see where the days take me.

21 notes · View notes

reesewestonarchive · 6 years ago

Text

chapter six / rem belongs to @forlornraven / masterpost / mature content

The van idles in the parking lot when Nakoa wakes. Rem’s nowhere to be found, until Nakoa peers out the window of the motel room and sees him setting their bags in the back, a cigarette stuck out of his lips.

Nakoa pulls from the window, stretches his arms above his head.

Waits for Rem to come back, and when he does, he takes one look at Nakoa and says, “You ready?”

“For /what/?” Nakoa’s ready to settle down. Get a job in some bullshit city that won’t ask his age. Rem can…

Well, maybe if he’s happy, he…

“Next leg of the trip.” He pulls the cigarette from his mouth, stubs it out on the bottom of his shoe. “You wanna get dressed?”

Right now, he wants another fucking nap.

“I’ll blow you,” Rem says, with a raise of an eyebrow, and Nakoa snorts. There’s no fucking way Rem wants to get out of here that quickly. “If we go.”

“Yeah fucking right,” Nakoa says.

But Rem steps forward and pulls Nakoa against him by the hem of his t-shirt. Tucking his fingers into the waistband of Nakoa’s pants, he says, “No. Hey.” He tugs at Nakoa’s collar, a smile tugging at his lips. Nakoa thinks about kissing him. He doesn’t. “I’m serious.”

Nakoa looks from Rem’s lips to the van outside. “Where are we going?”

“Oregon, maybe. Why not Canada? Or Mexico. Check out some of their beaches.” Rem grins. Draws Nakoa in for a kiss, and he tastes like coffee and creamer, sweet and smooth.

Like a different guy, but… fuck, Nakoa’s used to this. Rem gets freaked out by something, says a bunch of jackass shit, and Nakoa handles it poorly. It’s not like this thing between them’s easy. Nakoa doesn’t understand it himself, most of the time. Nakoa’s never wanted as much as he wants with Rem, and… that’s terrifying. To imagine the future and want someone by his side.

“What happened?” Nakoa asks, when his eyes are still closed and Rem pulls away, just slightly. “With the blood.”

Rem goes tight under Nakoa’s fingers. “I don’t want to talk about it.”

“Tough shit. You’re going to.” Nakoa pinches him, under the arm, and Rem yelps, scowls at him.

“Might have some prick on my tail. Don’t worry about it.”

Don’t worry about it. “You nearly beat the shit out of my dad when he hit me last year,” Nakoa says, trying to contain his frustration and failing, “but the second I want to make sure you’re okay—”

Rem pulls away. “It’s not the same. Come on, in the car. You can drive.” He flashes a smile, mischievous, but it doesn’t reach his eyes.

“Rem.” Nakoa flattens his voice, steps backwards so Rem’s presence isn’t quite so intoxicating, so he can think through the fog in his head. “I’m serious.”

Rem sighs, runs a hand through his hair. “It’s fine. Can you calm down? I’m not some fucking damsel in distress. I can take care of myself—”

More than he had the other night, Nakoa wants to leave. Let Rem fend for himself, see where that gets him. But then, he imagines Rem lying on the side of the road, or in some dark alley next to a liquor store, and— “Why are you so afraid of this?” he asks, thinks about gesturing between the two of them, really nailing down what he’s talking about.

A dark look passes Rem’s face, before he says, “Because I don’t want you involved.” Nakoa expects him to leave—it looks like it. “You don’t need to get caught up in my bullshit anymore than I should be caught up in yours.” Nakoa wants to tell him that he likes to be, that he likes knowing Rem’s fine, that if he could help, he would. And now that it’s them against the world, two of them on the road alone, each other is all they have. But Rem doesn’t let him, says instead, “We have fun together, right?”

And any hope burns to ash in Nakoa’s chest. He tastes it on his tongue when he says, “Yeah. Fun.”

Bowie plays on the stereo in the car, and Nakoa hears it from miles away. He thinks of what Rem said in the motel room; fun. That’s what it started as; is that all it will ever become for Rem?

Desire breeds warm and heavy in Nakoa’s stomach, sated temporarily by sex, but more often Nakoa just… wants. A longing feeling when he sees Rem singing along to the radio, when Rem moans—a different one when Nakoa touches him than the one he makes when eating pancakes, but neither less arousing than the other.

The goofy grin when he teases Nakoa.

He wants. Maybe the two of them will never own property, will spend their lives on the run from Nakoa’s shithead of a father, from the people Rem hustles for money to survive, but that’s a better end than wasting away in Withervale.

Nakoa should tell him. He should find a way to say the words without scaring Rem off, to say without expectation what he wants.

But then, he wants Rem. Is it not better to have what pieces of himself Rem will offer?

“What are you doing?”

Rem’s voice is scratchy with sleep. His eyes bloodshot from a twelve hour drive, and Nakoa’s knuckles hurt from where he has been pressing against play, pause, record for two hours, listening to the radio.

Fuck. Nakoa rips off his headphones, says, “Nothing. Why?”

Rem raises an eyebrow, says, “Come on. Come to bed.”

Bed tonight is the mattress in the back of the van. Nakoa’s money sits safely in the locked glovebox, but it’s dwindling. They’re close to Oregon, now, Disney just a pipe dream, but Rem keeps pulling off to look at the wildlife. To stop in gift shops. To tug Nakoa around randomly in tourist traps.

Nakoa might revel the attention, if he thought it would lead anywhere.

In Rem’s hand hangs a bottle of whiskey, capped, but when Rem leans down to press a kiss to Nakoa’s lips, he tastes sober. Like toothpaste.

Nakoa chases Rem’s mouth with his own when he pulls away. Rem smirks. His gaze lingers on the tape recorder. “This for me?”

“Fuck off,” Nakoa says. He’d picked up the tape recorder in a pawn shop for a few bucks, one night, and a pack of blank tapes, too. He’s tossed out one shitty mixtape once already, to throw Rem off his tail, to keep him from immediately suspecting. Kind of counterintuitive—the whole point of the mixtape is so Nakoa doesn’t have to say anything—but it calms the anxiety some. That tape had a bunch of Madonna and Bon Jovi, interspersed with just enough of what Rem likes to keep him from telling Nakoa to fuck off and replace the mix with something else.

But it’s hell, finding songs for him. It’s a fucking nightmare. Nakoa has two, right now; a Queen song and a Bowie song, and it feels like the damn thing is never going to be completed. There are a million songs out there, but they’re too cheesy. Too fast, too slow, too cheap, too cliche. Whatever Nakoa’s looking for, he hasn’t found it yet.

Rem’s hand is cold in Nakoa’s, though. There’s a chill to the air, but Rem is warm when he pulls Nakoa against him, brushes his lips against Nakoa’s hair, and laughs as he says, “You need a fucking shower.”

“Rich, coming from you.” Not that Nakoa minds; or not that he can say anything about it. They both need showers, water pressure better than what by-the-hour motels have to offer. Some fucking soap.

Nakoa hums under his breath, already trying to budget out what they’ll need. He can’t.

“What are you humming?” Rem asks. His breath is warm against Nakoa’s ear, his arm a pleasant weight over Nakoa’s waist. It’s been a few days since they’ve fucked. Rem’s been going, too much, switched on too often. Nakoa jerks him off in the van, sometimes, on open stretches of road, sometimes Rem returns the favor, but Nakoa’s getting restless.

That was the beauty of Withervale, Nakoa thinks. The opportunity to do whatever the fuck they wanted, whenever. And it’s not like they couldn’t pick any town they pleased, settle in, but the call of the open road sounds like the call of a siren, to Nakoa; irresistible.

“Sounds like Queen,” Rem says.

“Good ear.”

“Mm.” Rem’s voice is already drifting. Nakoa waits until Rem’s breathing evens out, sneaks back out to where the recorder sits on the old picnic table next to the van.

It’s dawn sooner than Nakoa expects, and there’s a vicious crick in his neck that throbs and burns when he moves his head.

But, after searching through multiple tapes, through radio stations, through mixtapes… Nakoa’s finished.

He clears his throat. Hits stop on the recorder, then hesitates, his finger over the record button again. He could say it, here. Tell Rem everything he wants to say, even though words are meaningless. It’s easy to recognize that, with Rem. The amount of things that just happen, the words that fall from Rem’s mouth.

Nakoa shoves the tape in the stereo of the van, and crawls back onto the mattress. Rem’s breathing is still slow and steady.

He doesn’t move towards Nakoa in his sleep, so Nakoa does it instead. Presses himself against Rem’s side and curls against him. Nakoa breathes him in, stretches his legs, and passes out.

He wakes to Freddie Mercury singing over staticky, broken speakers, quiet, barely audible. Nakoa stretches his arms over his head, yawns, and sits up.

Rem’s behind him, hands in his lap, picking at the last few remnants of his nail polish from his nails. Nakoa makes a mental note to pick some up, if he can find any.

Nakoa watches him, for just a moment, head tilted to the side, before Rem says, “I like this one.”

His heart swells. A grin grows on his face. “Yeah?”

Rem says nothing, though. Just starts the van, puts it into gear, and drives.

Mist surrounds them, casts the road and woods in an eerie, romantic fog, and Nakoa listens as the tracks change from one to the next, discordant in genre but similar in theme.

Rem laughs when The Scorpions play, taps his fingers against the wheel, and Nakoa feels his heart sing along with the lyrics.

When the tape ends, Nakoa takes a deep breath into the silence, his breath loud in the empty space between them. Rem says nothing, seeming content in the quiet. Nakoa wants to fill the silence, somehow, but all the words feel wrong, now. The tape has already said everything he wants to say to Rem, more eloquently, more concise.

But the miles pass, and Rem says nothing. More miles pass—and he says nothing.

Nakoa resigns himself to nothing, disappointment growing in him like a wild beast, untamed and unmanageable. He bites at his fingernail. Lights a cigarette and takes two drags before he puts it back out.

Still, Rem says nothing.

So neither does Nakoa.

#road to nowhere au #my writing #zzz

15 notes · View notes

alexakovac · 6 years ago

Text

[ DIANNA AGRON, CISFEMALE ] is that ALEXA KOVAC from westmont high? i think that the SEVENTEEN year old is a JUNIOR. SHE is known to be FUNNY but also SARCASTIC which is understandable since i heard they’re referred to as the COMIC RELEAF. i bet they wouldn’t want anyone to know but HER MOTHER HAS SEVERE BIPOLAR DISORDER AND DOESN’T TAKE MEDICATION FOR IT.

alexa maria kovac was born in queens new york

her mother, laura, got pregnant with her right out of high school at age 19 while working at a local diner to save up for college

laura’s father forced her to marry the father, a man named ivan kovac, but the two were never really in a loving relationship

right after alexa was born, the two of them moved out to california

when alexa was about a year, laura gave birth to her younger brother, luke, and right after that ivan left

right before ivan left, however, laura had some kind of mental break down which caused him to leave

all of her life, laura had struggled with mental illness, but she was always good at managing it. that was until she had a second child and she felt ivan pulling away

from there, the three of them just kind of learned how to surivie

ife was… interesting. as kids, having a mother with manic bipolar disorder was fun. they would go days without going to school, making forts and going on road trips and cooking everything in the fridge.

soon after that, Laura would go into a depressive state, locking herself in her room for days on end or just straight up leaving the twins. alexa quickly learned how to convince their neighbors to cook them dinner, or make the convenience store clerk feel bad for her and give her some free food

by the time she hit middle school, it was clear that this clearly was not a fun thing anymore. alexa assumed most of the responsibilities around the house

the main way that the kovac’s remained seemingly normal was because they attended church every sunday! alexa thought most of it was bullshit, but it was the only time the three of them would spend any time together and it enforced to the community that they were a normal family

though, most people knew otherwise

starting when she was 13, laura began sending alexa to bible came! that was where she met savannah

the two weren’t really friends outside the context of bible camp and church

until this summer whne they had sex but uk its totally fine its a secret

alexa is a scholarship kid to westmont and a junior

shes on the cheer team and i think student government i dont remember otherwise

yeah thats all i have for now. plot with me :)

#westmontintro #tw: bipolar disorder #tw: suicide mention

3 notes · View notes

tears-of-boredom · 2 years ago

Text

I feel normal about the name [my uncle's name]. I don't always associate it with my uncle. I can diffrentiate between a person and their name. I don't have complicated feelings about my uncle...seriously i don't know if im jealous or relating or whistful or just thinking about him a lot for no reason. I havent seen him in like probably 8 years, I have no idea where his life went. I don't know if i see myself in him or what. He's the only thing I can think about when I see a turqoise VW van. I don't think we ever even exchanged a single word. My relationship to him is just so weird. Maybe its just because i saw him actually get independent and move away from my grandparents place. Maybe from an early age i felt like I should do that as well. I don't know I feel like these types of feelings are something i should discuss with a therapist. I hate my life and it hasnt even really begun. Its sad how i refer to my childhood like im not currently living it. I wonder how life would've been if mom had a partner to raise us with. I don't really feel sorry for her, I'm just sad that I didnt get a proper childhood. It ended when i was maybe 11. At least thats how it feels. I used to brag about how i knew how to cook macaroni and minced meat for myself at 10...Whenever i think about my age i see this row of numbers in my mind. Theres a clear distinction that a new phase of my life begun when i was 10. That that was like a level milestone in a game...One time when i went to my therapist appointment she talked about my future, and i was too tired to stop myself from crying. I think I talked about how i broke down in swedish class that day. The general consensus was that it was my medication that was making me so sensitive to crying. It really wasnt, but i wanted to believe that changing the meds would magically cure me. One other time she talked about how I should start doing social interactions bit by bit, and to remember that the worst thing people could do was not say anything back. I told her that i was getting really fucking anxious just thinking about talking to someone. She offered to change the topic, reminding me later to still try and maybe say "good morning" to a classmate sometime. Maybe 2 times I've actually told her about a thing that I had to hesitate over, that i had to have a battle over in my head, that was a big deal to me. She listened, but she really only said things like "how do you know that the other person feels like that?" afterwards. I don't know it, but frankly really nothing will change the fact that I have social anxiety, therefore i wont approach someone banking on the fact that they remember me positively and not like a fucking weirdo. I know that my social anxiety isnt that rational. That's why there are two layers to my mind that i call "the emotional side" and "the factual side". It's just fucking hard to really do anything when my mind is contradicting its own thoughts constantly. This mind layer bullshit is why I sometimes feel like im not actually autistic. Its the reason I'm so hesitant to imply that i have any mental illness. If whenever i have a sensory overload, I'm extremely aware of how im acting, I feel like im doing it for attention. Because i do wish people would see me struggling and worry about me and regocnise me and.. everything. Someone said that you can't "accidentally fake something", and I straight up dont believe them. Yeah it sounds logical so it probably is true.. but I don't believe it. I wish my dreams were really clearly nice and exactly what I wish my life was. It feels more painful when they feel like real life but just so that i have friends. She's Losing It by Belle and Sebastian is a good song. The lyrics dont really match my situation but sometimes i like to ignore that and cry to it anyways.

#sorry #tearful stuff

0 notes

mettic · 7 years ago

Text

the previous anime season is offically Done ™ and the new season Starting ™ I wanna talk about anime so it’s time for an official Mettic Anime Winter 2018 Or Something I Cant Remember If It Started In 2017 Or Not Season opinion wrap up. It was a pretty good season!

YURU CAMP:

This season’s out of nowhere darling child, put out by a director that’s done Literally Nothing:

There really isnt super much to talk about Yuru Camp, which sounds like a negative but only anime can really get away with this kind of thing and its really Yuru Camp’s strength. It’s like an informative camping tutorial mixed with a series of really comfy setting shots held together but a loveable cast of characters.

If I’m to pick at it I’d say that it’s somewhat lame that 1/3rd of the cast who are at the group gathering at the end are basically irrelevant until the last 2-3~ episodes, but that really feels irrelevant.

It’s kinda hard to criticize slice of lifes tbh. At heart it feels like a genre with no real worth but it’s really easy to get attached to them. If it’s got characters that arent annoying to listen to and funny jokes it’s probably good.

Bonus: it’s good at tricking you into thinking camping if fun with pretty images of a comfy atmosphere of sitting infront of a pretty view. Makes you forget that the novelty of that runs out when you remember you’re gonna be there for a few hours. Also completely ignores the true appeal of camping, which was that the camp store had a Mortal Kombat 2 machine and that game rules.

Violet Evergarden:

The quick version of this review is that I really wanted to like this show but ultimately walked away with a whopping “it’s alright”.

The first four episodes of this show is bad. like i almost dropped it bad. Violet is not just a completely unlikeable character, but a characters thats difficult to watch in these episodes, due to her being completely oblivious to basically everything. And I GET that that’s the point, and she develops, but holy shit it’s almost unbearable to not just shut the episode off from second hand embarrassment. You might have a thicker skin for that kind of stuff though.

The show really starts to pick up after ep 4, but it still fluctuates (though never dropping as low as ep 2). The show starts to adopt a sort of “mission of the week” kind of style which I actually enjoyed; the princess and play writer episodes stick out in particular as a really enjoyable closed off stories with some solid execution to write off some instances of shallow writing. For example, the mother and child episode is so predictable that I saw basically the whole episode coming from the minute they introduced the characters, but despite that the final few minutes of the episode was still an emotional gut punch.

The episodes that focus on the “main plot”, less interesting. While Violet develops away from a completely unbearable to watch character, shes still not really interesting. Infact i’d say that there really isnt any character I super cared about in this show, which brings down the main plot pretty hard. The anti-peace faction is a mentally I cant find myself even understanding whats their goal in trying to stir the countries back to war other than the shallow and poorly written mentality of “we can’t ever forgive them yadda yadda/WE GOTTA BE STRONG”/there world doesnt like us anymore cuz we start wars :/”, so all I really get is a plot thats poorly motivated with uninteresting characters but with some solid line delivery. It’s kinda wack.

On the list of things I can complain about that’s also something that only I care about, the world of VE is completely nonsense and feels poorly thought through. The fact that humanity can create prosthetic arms with a level of technology that borders almost space age while set in a world thats loosely based on a post WW1 era is silly enough; but jesus how is it that a majority of the world doesn’t know how to fucking write in a WW1 aesthetic setting that also just happens to have some fucking near future incredibly accurate robots arms. Please think your world building through!

While we’re at it, the prosthetic arms aspect of the show feels.... unnecessary and worthless? This also seems like a silly thing to bitch about but I do think its an actual issue; I figured that would’ve been a big part of the show, if not the main part of the show, but its actually a complete after thought that exists in the show just to be an aesthetic choice (while also bringing down the show’s worldbuilding significantly). There’s like one scene in this show that requires violet having super robot arms, and even that could be pretty easily rewritten. If violet had regular arms the show would barely change. I kinda went into this show thinking that it’d be a dealing with coming back from war and living with missing body parts, which I thought was interesting. But I guess thats a bit too mature for anime so its a show about dealing with your lover being gone and ~learning to have emotions~ which has been done a million times. (I’m gonna admit that I dont think “this show would be better if it was something completely different :/” is great criticism, but I still wanted to get it out there)

Characters are poorly motivated and not engaging, most episodes are really predictable, show never really seems to know what it wants to be as it flip flops between mission of the week and a hastily slapped together main plot and poorly made worldbuilding, but it has Kyoani’s patent Absurd Budget Animation (which, imo, isnt super great. The show approaches the view of every frame being gorgeous, but there isnt a lot of fun or interesting movement in the show, it’s fairly static. But shit, no cg vehicles, so thats kinda dope), some really strong scenes and emotional gut punches, and some outliner good episodes.

It’s aiight I guess

POP TEAM EPIC:

Quick review: not really actually funny, but the show is just a spectacle to watch to figure out what bullshit they’re gonna pull next.

I feel like PTE is definitely a show that you wanna go into with no spoilers, cuz once you pull away the surprise of “what the fuck did they just do”, the jokes are fairly flat for the most part, but I guess thats the point or whatever. For example; the famous Hellshake Yano segment really isnt funny. But the “animation” of the scene of so unique and cool that I dont care, and I’m captivated but what’s happening and how they’re making it happen.

Shit. Is pop team epic an art house show? fuck. I dont want to think about it like that. I’m just gonna keep writing and try to ignore that fact.

Anyways; I think the show is great at putting together multiple 4koma strips into one singular joke, or expanding 4koma strips into a more fully fledged joke. It’s very rarely actually funny, but its definitly fun to watch, if you get what I mean.

I dont think Ill ever really wanna watch PTE ever again, and I don’t think it’s a ~good~ show, but I still recommend it with as little knowledge as possible just for the ride.

CARDCAPTOR SAKURA: CLEAR CARD:

This show isnt over! This bitch a two cour! Lets talk about it anyways!

In the strange trend of old classic shows getting remade (See: Sailor Moon Crystal, the Legend of Galactic Heroes remake thats this season, Devilman Crybaby) or getting continuations after being over for like 10-20 years (Dragonball Super, that Code Geass new seasons thats down the line and I know CG isnt 10-20 years but its the first thing that came to mind piss off), with varying levels of success that often slides towards the lower of the scale, CCS:CS manages to bring the show back from its 20-15~ year “hiatus” and keeping all the charm and appeal of the original series, which is incredible really.

I’ll be real; I went into this show expecting to be disappointed. The standards I hold CCS is outrageously high. I still hold on to the opinion that CCS is one of my favorite shows in the animation department. CCS is fucking gorgeous. I dont think any show has better coloring that CCS; it’s PEAK aesthetic. If you have the patience for monster of the week shows, you should watch CCS. It’s great.

Somehow, I went into this with the highest of expectations, and walked away happy. It’s incredible. It managed to completely keep the feeling of the original anime, and while it cant replicate the original series’ out of this world coloring (and lets be real, what can?), it makes it up with extremely fluid animations.

If I’m to make a complaint about the series I’d say that I feel like it follows the act of the original show a bit too much, with a lot of the new cards powers and even some episodes (see: the aquarium episodes) following the original show beat by beat. But shit, the new stuff Sakura gets is SUPER cool. Gravitation is the coolest power Sakura’s ever had. Plus the show is pointing torwards that idea that the new stuff is similiar to the old stuff is the intention and part of the plot, so that doesn’t even matter.

The shows movements are gorgeous. I never get sick of the transformation animation. The characters are fun. The scenarios and card fights are fun. It’s a blast. If you can stomach monster of the week style shows, and I know not everyoen can, please watch both the original series and Clear Card. I love Cardcaptor Sakura. If you dont like Cardcaptor than you can get fucked.

But believe it or not, CCS:CC isnt actually my show of the season.

MITSUBOSHI COLORS:

Honestly? I cannot think of a show thats made laugh, and I mean like actually laughing at my computer desk, as often as Colors. This show has no right being as funny as it is.

Is that a bit of a shallow reason to make it my AOTS? kinda, but to be honest I think most anime comedy is really bad. I dont think the boke/tsukkomi skit as ever been funny. Anime comedy in particular has a HORRIBLE habit of explaining the joke before it even gets to settle in, running the joke completely. Not a lot of shows even have me physically laughs.

Colors? Fucking hilarious. It gets me every episode. I’m more than willing to look past episodes with struggling animation (shoutouts to ep 4), because holy shit its so refreshing for an actually funny.

I’m not gonna pretend that I’m super experiencing in breaking down comedy to its bare elemtents, but here’s what I think; colors is really good at juxtaposition. It’ll take an set up, stare you stone faced, and just say some wild shit. It’s fucking awesome. The characters are weird and outlandish and bounce off each other super well. There’s some of the best dry delieveries I’ve ever seen.

Colors fucking rules. I miss Colors already.

ANYWAYS this season was good. 4/5 shows I watched this season I really liked, and there’s other stuff that I’m told is really good like the Antartica show that I didnt get around to watching. Go watch Colors.

Next (current?) season I’m checking out Megalo Box, Hinatmatsuri, Golden Kamuy and still watching Cardcaptor. please look forward to it

7 notes · View notes

jamiedodgerart · 7 years ago

Text

the fade is a liar sometimes

aka, a really long post about how mal hawke survived dragon age inquisition. warning for big but kinda vague spoilers for dai and mentions of alcoholism

ok full disclosure i dont know how he survived the fade. but im thinking the nightmare like. didnt wake back up in time to block the way through the portal, and so never caused the Do I Kill The Warden Or Hawke dilemma. cos. that was kiiiiiiiinda bullshit.

i had to pick between alistair and mal. and i really didnt want mal to be actually really dead bc at the time of here lies the abyss he’d be in a really shitty place, mentally, and i didnt want him to just! die! without resolving that! so i gave canon the finger and concocted a convoluted plan to give mal a better ending

background, after the events of da2, he ended up leaving kirkwall and fuckin’ around in the woods for a bit. i imagine he was helping refugees get out for a little while, until anders showed up and convinced him to help groups of renegade mages/circles on the verge of winning their independence. at this point he was pretty sick of the world at large, didn’t know what he wanted or where he was going to go next, and let himself be (guided? directed? pushed around?) by anders, drinking himself into oblivion and generally feeling like garbage. he fell out of contact with most of his remaining friends and began convincing himself that he was guilty for the explosion, by trusting anders (he’d suspected something was wrong with the ingredients anders was asking for and confronted him about it, but trusted him and helped him by distracting the grand cleric)

i rambled about this on my private twitter but mal and anders... ended up not being a great fit for one another and past me said it better than present me can

eventually, the inquisition came into being and grew in power. anders, still being a wanted man and mal too by association, avoided the inquisition’s patrols pretty easily. but stories started to spread about the inquisitor and his... particularly creative justice. see, pica really likes choices that have some poetic irony to them that also focus on rebuilding (he had alexius work for the mages, stuff like that), generally avoids executions, and is pretty chill with mages. the inquisition is also independent of any government, really, and is about as impartial as you can get in thedas. so when mal gets word from varric that corypheus is back, a problem, and something they need mal’s help with (that is also, in his professional opinion, his fault), he gets an idea.

he heads to skyhold, meets pica (who read the tale of the champion, asks varric questions about it constantly, was expecting a hero, and was not expecting the hero to be a depressed alcoholic) and iunno here lies the abyss happens with the aforementioned edit of no one important dying (i guess i could kill alistair and preserve a kind of important turning point in pica’s character with an added bonus of giving mal another thing to have survivor’s guilt about but i dont think i could go through with it. imagine the emotional toll. pica could get that change some other way anyway) mal by this point has gotten to know pica fairly well and has found what he’s heard to be true, and gives him a proposition

(i would like to add now that while ive read asunder, until i looked it up just now i didn’t remember where it sits in the timeline relative to da2, and it wasnt super clear to me just how much each of the two events affected the mage/templar war. so some text in sketches might be inaccurate, historically)

so you can imagine that anders is Pissed Off by this development, but justice is kinda like

cos like. pica Is a real actual authority figure. who is down to dispense some quality justice esp re mages. and is coming at it from a “yo i know you meant well and you did kinda have a point but you also killed a lot of people so there does have to be Some kind of consequence of that”

(but neither of them are at all happy with mal turning them in)

anyway the trial ends up including a full investigation of the events in kirkwall, as well as the events at the spire (cole, rhys, and evangeline all give their testimony) and it’s more a straightening out of what was up with the whole start of this shitshow anyway, cos the confusion and misinformation about it is probably the worst part.

pica finds anders guilty and sentences him to community service, which a lot of people disagreed with. pica thinks it was a GREAT IDEA though because that community service comes in the form of anders teaching the inquisition mages about healing magic!! something that anders is good at, loves doing, and can actually help people with!! why are we still fuckin about with herbs when there’s magic!!!!! this also has the added bonus of making mages less scary to the general populace- chuckin’ fireballs is a lot more alien and intimidating than healing up a broken arm, yknow? it can help mages seem more human and good for society than they were, separated from the public in towers.

anders is still a prisoner, though, which hes super not happy about, and part of his sentence is also that dagna gets to study him. he and samson are in grudging solidarity in the face of tolerating her extreme cheerfulness. and maybe he gets a cat too. i wonder if he and samson could talk about how shitty the chantry is re: lyrium addiction in templars? its obvs not on the scale of mage shittiness but it could be an interesting discussion

see in the grand scheme of things mal really didnt do all that much. he was duped by a lover into doing something he 100% would not have done if hed known what was actually going on. i feel like the most anyone could bust him on was aiding and abetting. and maybe helping hide an apostate. mal was found, as pica informally put it while distracted by looking at a transcript of a kirkwall templar’s testimony, “kinda guilty? just like. if ur asked to help blow up a chantry dont do it again” but cassandra elbowed him really hard and he said “look ok your sentence is, fuck, i dunno, work for the inquisition. what do you wanna do”

that was not what mal was expecting and he didnt have an answer. and pica looked at him and said “ill give you some time to figure it out, ok. just. take care of yourself, man. u look like shit” which got him another elbow, which he returned to cass with equal force

anyway. mal is now officially Not Guilty in the court of the law. which fuckin sucks bc that assessment does absolutely NOTHING to stop his shit brain from keeping being guilty about everything. so he tries to quit drinking, fails, and just has a rough time in general, while also sometimes visiting anders in prison. which probably really doesn’t help.

ENTER WARDEN-COMMANDER OF FERELDAN, MADRANA “MAD” TABRIS, AND HER PARTNER/GF/ADULT SUPERVISION EMMARIE “EMMY” COUSLAND

(you may also know mads as hester, as i called her in previous playthroughs. hester’s not a really elfy name and shes grown far enough away from her namesake that i felt a change was warranted. also emmy was created by @1500birds. i love her)

thats them (mads then emmy) so mad tabris, legendary fighter, unkillable blight-ender, bather in darkspawn blood, and general bottle covey is looking for a challenge. its been like ten years since shes had an actually hard battle to win and she’s near skyhold, and she’s heard that mal hawke, another legendary fighter, is also in the area. oh and some cadash guy. hes apparently good too. also, she’s looking for some way out of the whole grey warden death sentence thing. shes not keen on dying unless she’s killed, ydig, and apparently skyhold’s doing a lot of groundbreaking research these days

she and emmy swing on in to skyhold and finds that hawke is, well, a mess

important background. mads is not good at dealing with other peoples’ emotions. so shes not really equipped to deal with this. emmy, however, is kind, has nerves of steel, loves to help people, and is Very equipped to deal with this. and so the two of them adopt mal. (even though hes older than both of them.)

theyve got really, really different ways of trying to help mal. emmy is a great listener, and understands survivor’s guilt and the lost-all-my-family brand of trauma pretty well. she helps him sort through all the shit that’s happened to him and offers a lot of support. and hugs. by god shes a hugger. also theyve got a symbiotic cuddling relationship bc emmy is always cold and mal is always warm, so they platonically nap together sometimes. mads is unfortunately too wriggly and pointy to be a good cuddler :’( she squeezes in the mix sometimes anyway though and it’s uncomfortable but nice

mads’s method of helping mal is in her area of expertise: getting out pent-up negative emotion by fighting. for a long time, mal has internalized a lot of shit, and mads is really good at annoying him into either yelling or punching out that shit. shes doing it out of concern for his well-being, she swears, and not because she takes joy in pissing people off. she does but thats not the point. it’s not a perfect strategy but it does help a lot

unfortunately for her, sometimes mal can be downright vindictive when drunk and angry, and can hit on the few things she’s insecure about

(i would really love to make a post about mads sometime, cos she ended up being a lot deeper of a character than i originally intended. i really just wanted a really sharp angry lady who fought with the subtlety of a brick to the face, and ended up getting that plus bravado covering up a whole host of insecurities. i feel like i should finish dao before writing it up though ahah)

(what mal said is also not totally accurate- mads cares very much for emmy. but yknow how when things get heated it doesn’t really matter if they’re really accurate anymore- they just have to be close enough to get a reaction, ydig)

anyway! the two of them together help mal get his life back in order- he cuts down and eventually quits drinking, starts taking better care of himself, and gets more of a handle on life. i guess you’re probably wondering where varric is, right around now. so am i mal pushed away a lot of people close to him after da2, including varric. but varric kept looking out for him (lying to cassandra to protect him, using his network of contacts to keep an eye on where he and anders were operating). when mal comes to skyhold i think he’d try to avoid varric out of guilt- yknow how when it’s been a really long time since you’ve talked to someone, and you know you should have called them back, but you never did, and they kept asking how you were, and you want to be in an actually good place before you call them back, but shit keeps happening, and it’s been like two years since youve said anything to them, and then you see them and do some serious acrobatics trying to stay out of their sight so you don’t have to confront their honest interest in your well-being that they have no right to still have after so long with no word from you, and you have to make it seem like you havent been avoiding them because that would be rude, and really it’s just easier to be constantly vigilant of where they are and make sure youve got plausible reason to be leaving casually yet quickly

well mal did that. emmy had to physically bar his way from escaping a room once when varric came in, and dragged him by the scruff of the neck to talk to him. varric was painfully understanding and ended up hitting it off nicely with emmy

so! someday mal gets a job. specifically, pica gives him one. because he still owes the world some community service. with his experience as a hunter and highwayman, he becomes a scout!

whoaaa color

more specifically, mal becomes a... specialized type of scout. some idiot who shall not be named but whose name sounds a whole lot like pica cadash gave him command of a small squad of scouts, heavier armored and armed than average inquisition scouts but not heavy enough to count as infantry soldiers. their job is to dismantle highwayman and rogue mercenary bands, in whatever way necessary. so! originally this was supposed to mean sneak attacks on their strongholds or whatever, but mal talked with him about his own experiences with crime (mostly that most people in his crew back then were in it out of necessity, and needed money to support family) and the squad kind of became. really heavy recruiters. it became kind of a joke that the inquisition would take anyone- and they would! practically any skillset could be used in an organization as big as the inquisition, and at this point it was still growing

like. barely any exaggeration here

so that’s where he is pre-trespasser! thank u for reading and if youve got questions or want to learn more PLEASE ask i lov my ocs and love talking about them

i want to add that in @1500birds‘s latest playthrough (miranda trevelyan, a pro-chantry mage cullenmancer) mal rags on cullen endlessly

that was supposed to be the playthrough where he survives the fade, but then bran realized that miranda would kinda hate mal and would 100% leave him behind

#dai spoilers #dragon age #mal hawke #madrana tabris

32 notes · View notes

conditionaljewel · 7 years ago

Text

I started a long blog post that I got sidetracked on halfway through so I deleted it and am starting over.

This is a rant, and not like anyone’s gonna read it anyway but what the fuck ever it just means I can say what I need to and not have to worry about who sees it.

I am a person with a mental health problem. Probably a few, but definitely one. As such, I have needs that I make myself stay focused on that helps me deal with everything that causes me distress, anxiety, etc. This is one of the reasons why I smoke weed.

When I don’t have any weed, when I haven’t smoked, I don’t like the person I am. While my mind is a little more clear and I’m more focused on some things (not all things, though), I am way more irritable, easily agitated, very moody, amongst other things. When I smoke, I’m calm, I’m mellow, less aggressive and loud, and I just feel more balanced out. It helps me so much, so needless to say, whenever I’m out, I’m a monster. I have been much of the past few days.

It so happens that the past few days have also been days that I’ve had to work. Without going into detail, I hate my job anymore, I constantly am on the brink of tearing people a new one there with my thoughts and opinions on how the store is run and operated, and I’ve made it abundantly clear on several occasions that I am very easily overwhelmed and agitated when I’m not getting the help from my coworkers that is expected, all the while there’s no hesitation for others seeking help to receive it. And that’s without me saying anything about the appreciation — or lack thereof — that goes on within the store.

To that end, customers are no better, between expecting the world in exchange for nothing, and treating retail employees like garbage. Demanding, snarky, uptight, know-it-alls, they’re just as awful to deal with as the customers who are downright fucking stupid and just dont pay attention, don’t listen, don’t perceive. They’re just greedy, stuck-up fucks who have no regard for anyone else.

I can’t work with people anymore. Like any people. All people. I’m sick and tired of the attitude and mindset that working in retail has created and generated, especially around the holiday season. I’m fed up with the lack of respect and decency amongst society in general, and especially tired as fuck with the incompetence of others that directly impacts my livelihood and well-being.

I have to get a new job. But what’s a girl to do when all she’s worked is retail (with the exception of 17 months in a hospital setting as a medical “professional.”) I can’t, won’t, and don’t want to do retail anymore, ever again. But what other jobs are there that you can get without a degree that isn’t retail or food service that doesn’t involve heavy customer interaction? Like yeah i can go answer phones somewhere but that’s still people.

I don’t. Like. People.

So what’s left? Riddle me that.

But that isn’t where it ends, no no. For someone who is so hard up to make friends and meet new folks, I really do have a problem with people. I’ve spent many nights wondering what the fuck is my problem that people don’t want to have anything to do with me? What pushes people away? What the fuck is it? (Besides me bitching about people, obviously).

I try so hard to make an impact on people, make a positive vibe that radiates outward and attracts others, but no one’s ever fucking interested in anything more than hello. Do you know how disheartening that is? In the past three years, honestly, I think I’ve made two honest to god actual friends, and neither of them live near me. Hell, I have ONE friend who lives within 25 miles of me, and I hardly ever get to see her.

Even as a child, trying to make friends and meet new people was never easy for me. Somehow everyone else always had an easier time than I did, and no one ever stuck by my side. So naturally, it’s difficult for me to now, but when you’re 28 years old, it’s just deflating. You shouldn’t be MAKING FRIENDS at fuckin 28 years old, you should be going out for drinks and happy hour after work with your friends that you’ve had for years once a month or some shit. I’m lucky if I go to a restaurant by myself sometimes.

Not making friends has obviously left me fucked up. Lacking friends, I’ve not had chances to learn and take hints from social cues, I’ve not been in many situations that a lot of other folks have been in by my age. Whereas many people my age are settling down, getting married, have great jobs ... i’m living with my parents working a dead end part time job because my depression, anxiety, and other mental health problems keep me from trying to better anything for myself because they’re actively making things WORSE for me.

I know I’m not the greatest looking girl — or guy, if you even wanna play that card — and sure that’s probably a factor because why the fuck wouldn’t it be, but even people I’ve met online that I’ve tried to befriend in the past are like “lol moving on” and just ghost and disappear. Like honestly, what the fuck is it about me that pushes people away? I’d LOVE to know.

Sigh.

I don’t ever directly say this or suggest it, but sometimes I wonder what the fuck my whole purpose in this life is, because honestly I’m so sick of life — my life — that I’d really rather just die. Cease to exist. Honestly. I. Hate. My. Life. What am I doing with it? Ive fucked everything up for the past 28 and a half years, done everything backwards and wrong and stupidly, and I don’t have much hope for myself because everything seems so daunting and overwhelming.

I don’t want to work, I don’t want to have to look for a new job, I hate the ideals and statuses that society has created that’s led to the position the world is in right now on so many facets of life. Cuz then I look around and see all these people doing shit that just makes no sense, seems counterproductive, and ... they’re thriving???? Why? How?

I’m not trying to sound like “I never asked to be born” or “I want others to take care of everything for me,” but where is the option for people who don’t want to work and would rather do something else with their life? What can I do that’ll get me this bullshit currency thats so important to survive and thrive that doesn’t involve other people?

Sigh. I’m done. I can’t type anymore. I’m just so defeated.

0 notes